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Refresh and complete English translations across the site

Browse Source 
Fresh-translate home, CV, contact, and gallery content from the
current Dutch source instead of the drifted/embellished prior English
text (CV in particular had invented details not present in Dutch, and
contact was missing a phone number while listing an opening day the
Dutch page doesn't have). Create English versions for the Gallery page
and 20 werk-in-detail albums that previously had none, translating
titles into English. Media fields (media_order, portret, images) left
untouched everywhere. kijkpotten has no Dutch source, so left as-is.

Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01XeFfgLSYdiS9UXcjiNzME3
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2026-08-30 17:52:28 +02:00
co-authored by Claude Sonnet 5
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---
Natascha Rieter, born in Roermond (1948), has lived since 1988 in Margraten, in the hamlet of Groot Welsden, where she and her husband Siegfried Gorinskat (also a ceramist, who passed away in 2006) established their studios in a typical half-timbered farmhouse. Both artists enjoy great renown in the art world for their ceramic works. In 1989 they opened Ceramic Gallery "Groot Welsden" — with great success. Natascha Rieter is an emotional and poetic artist for whom ceramics is the mirror of the soul.
Natascha Rieter, born in Roermond (1948), has lived in Bunde since 2020, where she has her gallery and studio in a former butcher's shop. Before that, from 1988, she lived in the hamlet of Groot Welsden, where she and her husband Siegfried Gorinskat (also a ceramist, who passed away in 2006) had their studios in a typical half-timbered farmhouse. Both artists enjoy great renown in the art world for their ceramic work. In 1989 they opened Ceramic Gallery "Groot Welsden" — and not without success.
Natascha studied monumental design, majoring in painting, at the City Academy in Maastricht (1967–1971). After her studies she worked for two years in a ceramic studio in Switzerland (1971–1972). From 1972 to 1975 she studied ceramics at the Ceramic Hochschule in Höhr-Grenzhausen, Germany. She then moved to Nijswiller (South Limburg), where she established herself as a ceramist (1976–1988). She has exhibited in many galleries in the Netherlands, Germany, Belgium, France and Japan. The themes in her work are nature and humanity: LIFE. She translates her feelings into ceramics — "Working with clay is for me the same as writing a poem."
**Natascha Rieter is an emotional and poetic artist for whom ceramics is the mirror of the soul.**
Natascha Rieter makes functional ceramics, reliefs, small sculptures, modelled figures and clay paintings. She uses stoneware clay from Germany and porcelain from France. In her clay paintings she combines ceramics with painting techniques on wooden panels.
Natascha studied monumental design, majoring in painting, at the City Academy in Maastricht (1967–1971). After this training she worked for two years in a ceramic studio in Switzerland (1971–1972). From 1972 to 1975 she studied ceramics at the ceramic "Fachschule" in Höhr-Grenzhausen, Germany. She then came to Nijswiller (South Limburg), where she established herself as a ceramicist (1976–1988). She exhibited in many galleries, among others in the Netherlands, Germany, Belgium, France and Japan.
In recent years Natascha has been almost exclusively occupied with monumental commissions in applied art — wall reliefs in building lobbies, monumental sculpture groups, and private and corporate commissions.
The themes that play a role in her work are nature and humanity: LIFE.
Side activities: Ceramics teacher at Kumulus, Centre for the Arts, Maastricht since 1977. Gallery owner of Ceramic Gallery "Groot Welsden" since 1989.
She translates her feelings into ceramics: **"Working with clay is for me the same as writing a poem."**
Natascha Rieter makes functional ceramics, reliefs, small sculptures, modelled figures and clay paintings. She uses stoneware clay from Germany and porcelain from France, and fires at stoneware temperature.
In making her clay paintings, she combines ceramics with painting techniques and a wooden panel.
After her husband passed away, she took up painting, etching and screen printing again, which had always been her passion.
**Side activities**: Ceramics teacher at Vrije Academie Maastricht, previously at Kumulus, Centre for the Arts, in Maastricht, since 1978.
Art gallery in Bunde since 2021.